ROBERT YOUNG, THE CLOTH

 

 

Famed Designer Robert Young is perhaps best described as conscientious yet daring.  He is as well albeit subversively, nationalistic while influenced by the wider region which prove the perfect backdrop for his  practical, colorful and playful designs.  He at one point wanted to join the priesthood: to be a  man of the cloth, hence the labels name.  His dedication to  his craft can therefore only be described as religious.   Each collection seems to represent a variation on a similar theme yet always aware of the global trends without losing sight of the context of his environment. 

 

Robert’s work has gone beyond the clothing rack.  His  designs have been part of presentations of the Emmy Award winning Guyanese cum Trinbagonian mas designer Peter Minshall.  Robert’s work can be seen in Jerusalem for Minshall's Donkey Darby (1993), The Twelve Ships in the  Odyssey (1994) and The Image and Likeness" in Tapestry (1995).  He has also designed for such legendary Caribbean icons of music as David Rudder and the late Andre Tanker, as well as the profound Rapso artiste Ataklan. 

 

He has also done the costuming and set design for several steel orchestras'  panorama final and other presentations.  Among them Phase II  Pan Groove, Skiffle Bunch, Pamberi, and Redemption Sound Setters.  His almost trademark appliqué has complimented the stage backdrops of one of the country’s  leading choirs, The Lydian Singers.

 

When he is not designing  Robert makes time for many outreach programs.  He has been a resource person at the Man to Man Project (2000),  a Delegate of the United To End Racism group at UN  World Conference Against Racism and Other Related  Intolerance (Durban, South Africa 2001), YMCA Mentoring  project 2003 to 2005, Men support group Resource person at  Friends for Life and has led several men’s, youth and  artist support groups.    Robert has designed consistently throughout the years  and it is not only his passion but his profession and craft.  He shows annually and has been a part of Caribbean fashion Week since 2001, with the exception of 2002. Robert’s work  embodies elements of traditional folk, the spirit of  revolution and an interest in restoration and integration.   

 

 

The Cloth started as a collaborative some 22 years ago.  For the last (15) years Robert Young has single handedly maintained the label which has come to represent a unique,  dynamic and always original Caribbean aesthetic. 

 

The Cloth – Hitting the Spot Fashion Week Trinidad  and Tobago experienced a classic Cloth collection from  Robert Young. With 22 years in the business Robert could  have shown along side the Icons on the Tuesday night of the  6 day event but true to form, The Cloth showed on the night  dubbed Conscious Fashion. Robert, not only conscious of what  his client expects but as well conscious of how to infuse  the current trends with his signature style, conscious of  the issues of the day and how to bring incorporate them in  his presentation, and too conscious of the band 12 and how  to use them as a musical backdrop in a collection that  indeed, Hit the Spot.    One benchmark of success in design is the ability to be  unmistakable and yet unpredictable. Holding on to the  natural fabrics he knows well, Robert brought a fresh feel  to his standard tricks. His use of appliqué in both the  men's and women's looks showed a real comfort with the  technique but was far from boring: traditional tunics paying  homage to the Caribbean with abstract representations of  mosques, jokers and Rastafarians; collared men's shirts with  swatches of African print fabric that tell their own tale  and the hard to forget Nehru collared denim jackets with  gingham bleeding across the arm and chest. The women's line  featured what Robert calls the "maybe I'll get attention"  skirts, yards and yards and yards of fabric held together by  waistbands precious enough to frame; skinny legged voile  pants with rouching at the ankles and playful rainbow  striped sun-dresses and pum-pum shorts. Models sat on little  stools at points on the runway writing   their dreams for a country experiencing unprecedented  levels of crime evoking serious emotions and harking back to  the early Cloth presentations of the late 80's when  political statements screamed off the runway and the  garments.    Further testimony to the line's renegade consciousness  was the imposition of a 5 piece music band to provide live  accompaniment for the models as they showed the collection.  The band 12, dressed by The Cloth, with a haunting trumpet,  solid bass line and just enough grit in lead singer Sheldon Holder's voice brought depth to an already edgy Caribbean  experience. Experiment he did but not at the expense of  practicality. For not one second was there a question as to  whose collection was coming down the runway. With  solar-powered colors and easy breezy fabrics it seemed not  only customized for a chic, fun-loving Caribbean spirit but  as well to a loyal client for whom it would have definitely Hit the Spot. 

 

To see Trinidad and Tobago's Premier Fashion Designer Robert Young - The Cloth, please come out this Sunday, November 1st to "The Great Escape: Destination 2010" Fashion Show at the Sheraton Washington North, located at 4095 Powder Mill Road in Beltsville Maryland to support the Caribbean Student's Scholarship Fund Inc.'s 2010 scholarship Recipients.  See the Flyer Below for all the details!